Since 2021, I have been teaching at Bauhaus University Weimar, initially through teaching contracts and, since 2022, as an Artistic Associate. My modules focus on radio transmission, soundscapes, field recording, and collaborative audio practices, often situated in public space and shaped by critical, experimental, and postdisciplinary methodologies.

Selection of Current and Past Modules:

SoSe 2025

Sound and Epistemology – Scientific Module, in collaboration with Dr. Marcin Pietruszewski

A practice-based and theoretical seminar exploring the relationship between sound and knowledge. Topics include listening as an epistemological tool (forensic, situated, embodied), soundscape analysis as countermapping, and data sonification. Students produced sonic works and short texts, with selected outcomes to be presented at the university’s Summaery exhibition and compiled into a publication.

WiSe 2024/25

Ekpompe – The Art of Transmission and Broadcast, in cooperation with Radio Monteaudio (Montevideo, Uruguay)

A creative broadcasting course integrated with the weekly transmission schedule of bauhaus.fm (106.6 MHz). Students explored historical and contemporary transmission practices—from mobile DIY radio to durational field broadcasts—while producing biweekly live shows. The term Ekpompe was used to frame broadcasting as a critical and poetic act of transmission and emission across analog and digital space.

SoSe 2024

Urban Resonances, in cooperation with the Athens School of Fine Arts

A collaborative sound-based project between students in Weimar and Athens. The course explored the audible dimensions of tourism, gentrification, and urban transformation. Students produced 10-minute experimental podcast episodes in response to site-specific sonic phenomena, culminating in a live intercity broadcast and an on-demand mini-series.

The seminar was part of a cooperation between the “Art in Public Space with Digital Media” course (Athens School of Fine Arts, MA Digital Arts) and the Experimental Radio Chair at Bauhaus.

WiSe 2023/24

Radio Alice: Live Radio Performance, in cooperation with USMARADIO (San Marino) & Radio Tsonami (Chile)

Focusing on the radical legacy of Radio Alice (Bologna, 1976–77), this course traced the intersections of pirate radio, media activism, and autonomous broadcast. Through collective research, listening sessions, and readings, students designed a live anthological radio performance, transmitted on February 9 in collaboration with international partners. The course emphasized artistic autonomy, counter-media strategies, and contemporary possibilities for radiophonic resistance.